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Belmont Gallery of Art

A community gallery showcasing regional visual arts

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March 16, 2018 by profk

Fairytales, Folktales and Fables

FFF-Postcard-front

This eclectic vibrant exhibit features work by over 30 artists who interpreted fairytales, folktales and fables from around the world through a variety of 2 and 3 D media, including paper sculpture, assemblage, painting, printmaking, textiles and photography.

NEW DATE! Opening Reception April 6, 6:30-8:30 pm

Wine, and light refreshments.

April 21 and 22: Special Events/Art Salons for the Fairytales exhibit include a Gallery Talk with Exhibit Artists and a Collage-Making Workshop led by artist Carol Wintle.
READ MORE!

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Filed Under: Show Archives Tagged With: 2d, 3d, assemblage, fables, fairytales, folktales, painting, paper sculpture, photography, printmaking, textiles

October 9, 2007 by profk

Ink-Brayer-Brush

Christiane Corcelle-Lippeveld and Sophia Mone

Christiane Corcelle-Lippeveld
It’s a Big Big World
It’s a Big Big World
Entering the Green Space
Entering the Green Space

My work is based on a perpetual passion for giving life through composition. As a former landscape designer, I have always been fascinated with colors and shapes and how they interact.

Printmaking has become my primary means of artistic expression. I like the infinity of all the layers that can be achieved, the richness of the color and the sophistication of the lines that can be rendered through this complex medium.

My inspiration comes from found objects and other elements, and deals with personal observations and experiences acquired from visiting and living in different countries.

In my prints, I juxtapose materials, images, shapes, and colors through a combination of different techniques. The elements blend, almost threatening each other, creating a prototype that is rich, edgy and commanding all at once.

The resulting images portray a characteristic and contemporary style that invites individual responses and interpretation. Regardless of the approach, art makes me feel happy and alive.

“Art does not reproduce the visible, it renders visible” — Klee

Christiane’s website: www.christiane-corcelle-arts.com

Sophia Mone
Painting by Sophia Mone
Painting by Sophia Mone
Painting by Sophia Mone
Painting by Sophia Mone

My art revolves around an abstract figure and the waves of energy that compose, affect, and complete it as a unique being. The figure’s interactions with itself and others elicit images that fascinate me. I like using layers of colors and shapes in my art to promote a sense of mystery and intrigue. Abstracting these images is a challenge. It keeps my art moving in a never-ending spiral, a symbol I use frequently to emulate a sense of adventure. I love exploring new lines, shapes and colors and how they relate to my imagery. They enable me to challenge the boundaries of tradition and to think outside of the box in my creative process.”

Sophia’s website: www.wmaastudios.com

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Filed Under: Show Archives Tagged With: Christiane Corcelle-Lippeveld, printmaking, Sophia Mone

January 1, 2007 by profk

New Work: Loutrell, Revett, Wunsch

Lara Loutrell, Dawn Revett, A. David Wunsch

Lara Loutrel
Etching by Lara Loutrel
Etching by Lara Loutrel

Abstractions of a mental state. The logic of factory-grey & desolation — a girl & her printing press, isolation. The mechanized clicking of thinking — these are objects & landscapes that exist, but no one has seen them. My logic — logic in general — crumbles & twists, formulates itself in black etching ink. My etchings are the outcome of my perception of existence — bleak & strange.

The prints are Abstractions of imagined landscapes, sometimes objects or cities, conveying some sort of resonance, or connection. They are usually bleak & lonely, yet heroic. I don’t consider my work to fall under one style. The look of the prints from 2002 to the present is very much a product of, & ongoing dialogue with, the techniques that I use. These arose from the technical limitations of creating a studio with non-traditional & non toxic methods. I am constantly experimenting & discovering new ways to put ink on paper.”

More information on this artist can be found at www.laraloutrel.com.

Dawn Revett

Cargo. Weighty, anonymous, masses of consumable goods. A voluminous presence that fails to fill the absence in which it is placed.

Shipping lanes. Highways. Storage yards. Gateways through which material goods in their anonymous phase leave or enter our lives; portals through space and time for Things. Solidity. Gravity. “Needs”.

Painting by Dawn Revett
Painting by Dawn Revett

I see in these portals stillborn opportunities. I see what was here, before the cargo and the promises. I see a mirage of material goods preening with seductive poise. I see what cargo cannot replace. I see the potential for change.

These sites speak to me of how anonymous consumption fragments our society within itself and divides us from the environment. Stained wood reveals an absence of nature that this ingestion of goods creates. To me it is an absence that screams. Yet these goods pass as unbranded cargo through quiet ports, sleepy highways, and placid storage fields. These places stand as silent memorials to what we have sacrificed in order to achieve the cargo we so fanatically pursue. For me these are peaceful places. Like cemeteries, or morgues. Tranquil, beautiful, and tragic.

I paint the images because for me paint best conveys the beauty that I feel in the anxious desolation of these locations. With paint I can better recreate the subtle fusion of fascination and pain that I experience when standing there. I can freeze the highway’s silent roar, and touch the solitude.”

More information on this artist can be found at www.dawnrevett.com.

David Wunsch
Photograph by A. David Wunsch
Photograph by A. David Wunsch

The work that I am showing here is the product of the 40 year period 1966-2006. I have always been a photographer in black and white, and I have primarily used a view camera with which I expose 4 by 5 inch sheet film. I have printed the more recent images digitally, after scanning the negatives into my computer, while photographs that precede 2004 I have printed in my darkroom.

My favorite places to work are mill towns, the edges of cities, railroad yards, and occasionally the downtown portions of cities early in the morning when the streets are clear. I sometimes photograph pieces of machinery, and I feel that many of my photographs reflect interests I have in mathematics and engineering.”

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Filed Under: Show Archives Tagged With: A. David Wunsch, Dawn Revett, Lara Loutrell, painting, photography, printmaking

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Homer Municipal Building
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Belmont Center, MA 02478

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